Guest Post by: Peter Hamilton, Documentary Business
The demand for unscripted/documentary content is growing every day. It's estimated that by 2025 Netflix will spend $1.1 billion per year on documentary programming.
And Netflix is looking more and more to small production companies and independent filmmakers -- as well as established players -- to fill the gap!
In fact new opportunities are emerging right now during COVID-19 when Netflix is replacing cancelled Dramatic series, Sports and other genres with qualified documentaries.
Do you have what it takes to create a documentary that appeals to a segment of Netflix’s vast subscriber base?
As a longtime television executive, here are my top strategies and insights for getting your film on Netflix (and other streaming/cable networks).
Here are the Four Filters executives at Netflix (and other streaming & cable networks) use to determine if a documentary idea is promising enough for them to invest in developing it for primetime:
1. Big Characters
Do the main characters register? Do you remember them?
If your characters walked into a room, would people remember them, even if they weren’t celebrities? Think of “AOC” (Alexandria Ocasio-Cortez), Tiger King, King of Kong, and Dog the Bounty Hunter. They stick with you!
2. High Stakes
What is the ultimate in high stakes? The answer is “Death!”
Think of documentaries and series that feature characters defying death (Criss Angel Mindfreak), tracking toward death (Heroin(E), Intervention), investigating death (First 48), or risking death (Man On Wire).
“High stakes” also includes stories about overcoming great personal obstacles. (The Long Goodbye: The Kara Tippetts Story)
True Crime is a highly popular “high stakes” Netflix category. Stories range from notorious cases (Amanda Knox) to hidden gems uncovered by independent filmmakers (The Keepers).
3. Unique Access
Does the documentary/program offer something you couldn’t otherwise see or experience? Does it feel exclusive? Do you have rights to a story that shuts out any competitors? (Free Solo).
4. Realistic Budget
The concept must also pass a budget credibility test: Does your estimated or budgeted cost fall in the range of benchmarks that Netflix has for a program like yours?
For Netflix to even consider a pitch, a show idea must present all four of the above qualities. It’s like in Vegas where you need all cherries to hit the jackpot.
Don’t come to to the cashier with only three out of the four!
Netflix story-telling differs from ad-supported networks where the story arc has to be structured with peaks that motivate the audience to come back after each commercial break.
Netflix shows have a much slower build: the stories can be told in a cinematic style, and at any length, because there is less worry about losing viewers during a program.
Program commissioners look for programs that aren’t just topical but sustainable.
Series that are ‘ripped from the headlines’ don’t always work and the best ideas aren’t necessarily the most controversial.
The key question to ask regarding your film: ‘Will it still be relevant 12-18 months from now?’
Ready to pitch your documentary project to Netflix? Here's How
Peter Hamilton is a former CBS executive who has directed his New York-based international consulting firm for 30+ years.
His clients have included NBC, A+E Networks, National Geographic Channels, Global Canal+ and BBC; the Rockefeller Foundation; and governments, including Singapore’s IMDA. He has planned and helped launch dozens of channels, notably for Discovery International.
Peter is the founder, editor & publisher of DocumentaryBusiness.com, giving weekly insider analysis to 20,000+ executives and producers worldwide.
His office, Peter Hamilton Consultants, Inc produces numerous industry reports/guides, including a brand new resource-packed course: Netflix 2021: Selling Your Documentary To Netflix!
Hamilton was educated at The Wharton School, UPenn (MBA) and UMelbourne and regularly presents at major conferences, including MIPDoc and Sunny Side of the Doc.
The author, Peter Hamilton (left), on stage at MIPDoc 2019
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