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Lighting for Video:
Adding flare to your footage

Lighting for video and documentary doesn’t have to be complicated. If you are a DIY filmmaker like me, you’re looking for:

The least complicated lighting set-up that
creates the best results at the
lowest cost!

Here’s a great little video I found on etsy.com that shows just how simple lighting for video can be.

“Three options for lighting your video”




The Basics: Three-point lighting


If you’ve ever visited a movie set, you know how complicated lighting can get. But it all starts here with the basic fundamentals of the 3-point lighting set-up.
  1. KEY – The key light is your main and strongest source of light. This can be the sun or an electrical light source.

  2. FILL – This is your second light source, softer than your key light, which crosses the key light to “fill” the strong shadows created by your main light source. This can be a reflector or an electric light.

  3. BACK – The back light is used to separate the subject from background. It makes the scene look more three-dimensional. Sometimes you can use the “setting sun” as your back light or another light source.

Three-Point Lighting Diagram


Using Available Light

Using available light is key for the documentary filmmaker on a budget or short on time. Sunlight coming through a window literally becomes your KEY light. See diagram below.

Using light from a window, position your subject about 30-degrees, not directly facing the window. A 30-degree angle creates a natural look and helps bring out some details in the facial features and creates a more natural look (shining a light directly on the face “flattens” the features).

Lighting for Video, Available Light Diagram



Does the KEY light create too much contrast and shadow?

If so, use a “fill” light to balance out the “key” light. A fill light can be created simply with a reflecting device such as a piece of white foam board or reflector… it “bounces” light from the key source to create the “fill” light.

Ugly Overhead Lighting

When the natural light available is coming from overhead, like a hanging light bulb or fluorescent light, it can make the image look very flat (and ugly). Try using a reflector in this situation to “bounce back” light into the subject’s eyes or another light source to fill in the shadows created by the overhead light.

Don’t forget Safety!

Electric lights can be dangerous, especially tungsten lights which can get VERY hot. It is highly recommended to have a second person with you when dealing with lights. Lights are unstable and can easily fall or get pulled down.

  • Place chords out of walking areas if possible or tape them down so that people won’t trip on them.

  • Keep lights away from entrances where they can get knocked over by a door opening.

  • Make sure there is nothing flammable around the light or you risk starting a fire.

  • Let the lights cool down after they’ve been switched off. How many times have I been burned on those darn things!? Ouch!


LIGHTING EQUIPMENT

Basic Lighting Kit:
  • 3 lights & 3 stands

  • Gels & diffusers

  • Crocodile clips or wood clothes pins

  • Extension Cables

Low-Cost Video Lighting Tips

If you can’t afford a professional video lighting kit, here are some low cost alternatives when lighting for video:

  1. Halogen garden lamps – great for flooding a room with light.

  2. A 100-Watt bulb under a large paper lampshade – creates nice soft lighting.

  3. Battery-powered lights. A cheap, battery powered light that sits on top of your camera is useful when there’s no electric sources nearby. However, a simple light on top of your camera does not create the best results (it’s just flat head-on lighting & not very natural looking). But it will do in a pinch and it’s better than nothing!


FINAL THOUGHTS

When lighting for video and documentary, don’t get hung up equipment. Use available light whenever possible.

Keep it real.

Keep it simple.


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